Produced by: The New Jewish Theatre

Directed by: Rebekah Scallet

Role: Assistant Director / Dramaturg

Took over 250 notes in one week, stayed on book, and assisted with line work while remaining available for all rehearsal needs. Conducted in-depth dramaturgical research on historical and thematic elements, providing contextual resources to support the cast and creative team.

Produced by: Sargent Conservatory of Theatre Arts

Role: Director

As Director, I devised a theatrical piece inspired by a single-word prompt (Creation). For this project, I explored the question, What is considered life?, incorporating my passion for puppetry. In this 2-3 minute piece, I guided my actors in collaborative sound creation and physical storytelling, emphasizing reactive performance and ensemble-driven movement.

Produced by: Sargent Conservatory of Theatre Arts

Directed by: Gad Guterman

Role: Assistant Director

As Assistant Director, I had the pleasure of working with a cast and crew of 42 students. In this experience, I co-led cover rehearsals alongside our stage management team, bringing our director's vision into the room. I communicated directly with the director, acting as a liaison for the cast and crew, and documented over 100 notes from the director to ensure high-quality direction.

Role: Director/Producer

As the Director and Producer for the staged reading of The Shark Is Broken, I led the creative and logistical aspects of the production. With only three hours of rehearsal, I efficiently managed the team to ensure a polished performance. I also took on sound design, learning QLab to create an effective auditory experience, and collaborated with an audio engineer to optimize sound for the space. This experience honed my leadership, problem-solving, and technical skills under a tight timeline.

Produced by: Locally Grown Theatre

Directed by: Joe Johnson

Role: Assistant Director / Prop Head

As Prop Head and Assistant Director for Tom Sawyer, I managed all prop needs, sourcing and creating 23 props with a $0 budget while ensuring rehearsal props were ready for every session, approving approximately 25% on the first showing. I also documented over 50 pages of blocking and took detailed staging notes to support the director. This experience strengthened my problem-solving, organization, and communication skills, especially in collaborating with actors ranging in age from 7 to 70.